The new issue of Slanted magazine is focused on super families (large typeface families) and their amazing range of variations.
These families are characterized by a variety of cuts, which spread open to extremes such as Hairline to Ultra Black and Compressed to Extended. In addition, immediate relatives are also represented such as Sans Serif, Semi Serif, Slab, Rounded, etc.
The new issue comes packed with numerous wonderful photographs, essays and reports as well as special interviews with expert professionals, such as Nadine Chahine, Ian Party, Yanone and Ivo Gabrowitsch. Besides several historic families which are featured, the eight page fold-out cover presents something really cool: a geneology of the best type super families, edited by Indra Kupferschmid. In another interview, Panos Vassiliou from Parachute talks about the award winning typefaces: Centro Pro and Regal Pro.
Regal Pro is a Red Dot winning typeface and was originally created for the redesign of Grazia magazine. Later it was upgraded for further commercial use and the three basic families were expanded to include more variations, ligatures, swashes and additional support for Cyrillic and Greek. The final version includes 5 families (Regal Finesse, Regal Swash, Regal Display, Regal Text, Regal Stencil).
Centro Pro is a European Design Awards winning typeface and was characterized by the jury as an almost ‘invisible’ typeface with distinct personality. It has a range of weights that is ideal for a wide range of design works and fulfill its purpose while not attracting any unnecessary attention. Centro Pro includes 3 families. (Centro Serif, Centro Sans, Centro Slab)
For further information you can visit the Slanted website or blog.
The new issue of Slanted magazine Grotesque 2 is dedicated to grotesque fonts which appeared mainly at the end of 19th century. In 1880 Ferdinand Theinhardt designed the Royal Grotesque with four weights for the Königlich-Preußische Akademie zu Berlin, based on which Akzidenz Grotesque was developed in 1918. At the same time, from 1905 to 1930, Morris Fuller Benton created American Grotesque based on the older grotesques.
The magazine presents a large number of several related grotesque fonts, illustrations and projects from several designers. Type essays by Flo Gaertner (Karlsruhe), Robert Schumann (Berlin) and Anna Sinofzik (London). The new issue also includes interviews with Lizá Defossez Ramalho and Artur Rebelo (Porto), Edwin van Gelder (Amsterdam), Marta Podkowinska and Karol Gadzala (Krakow) and Hans Gremmen (Amsterdam) as well as a musical travelogue by Frank Wiedemann (Berlin).
“Beat That If You Can!” is the new issue released by Slanted magazine dedicated to women in the field of typography and graphic design. It is a stage for extraordinary and intelligent projects by women. The purpose of the issue is to provide better visibility to female type and graphic designers. Despite the fact that the industry is populated by female graphic designers there are still not that many doing typographic work. It was about time to bring them to the spotlight which is good for us men as we are sick and tired of being surrounded by only male in this field (editor’s comment).
In this issue Slanted presents the work of Ariane Spanier (Berlin), Julia Born (Amsterdam) and Verena Gerlach (Berlin), the photographic essays “Brides of Krishna” by Kalpesh Lathigra (dmbmedia / London) and “Female Marines” from the archives of the U.S. Marine Corps as well as contemporary typefaces, illustrations and graphic projects by female designers.
Type essays by Laure Boer (Berlin) and Gerda Breuer/Julia Meer (Wuppertal) are dealing with the role of women in graphic design and typography and outline a corresponding history. Numerous interviews with Verena Gerlach (Berlin), Ariane Spanier (Berlin), Nadine Chahine (Bad Homburg), Veronika Burian (Prague), Laura Worthington (Washington), Kapitza (London), Geneviève Gauckler (Paris), Esen Karol (Istanbul), Akiko Kanna (Tokyo) and Susanne Baer (Tokyo) as well as the second part of the Tokyo report by Ian Lynam (Tokyo).