Publications - Parachute® on Tuesday, September 04th, 2012

The new issue of Slanted magazine is focused on super families (large typeface families) and their amazing range of variations.

These families are characterized by a variety of cuts, which spread open to extremes such as Hairline to Ultra Black and Compressed to Extended. In addition, immediate relatives are also represented such as Sans Serif, Semi Serif, Slab, Rounded, etc.

The new issue comes packed with numerous wonderful photographs, essays and reports as well as special interviews with expert professionals, such as Nadine Chahine, Ian Party, Yanone and Ivo Gabrowitsch. Besides several historic families which are featured, the eight page fold-out cover presents something really cool: a geneology of the best type super families, edited by Indra Kupferschmid. In another interview, Panos Vassiliou from Parachute talks about the award winning typefaces: Centro Pro and Regal Pro.

Regal Pro is a Red Dot winning typeface and was originally created for the redesign of Grazia magazine. Later it was upgraded for further commercial use and the three basic families were expanded to include more variations, ligatures, swashes and additional support for Cyrillic and Greek. The final version includes 5 families (Regal FinesseRegal SwashRegal Display, Regal Text, Regal Stencil).

Centro Pro is a European Design Awards winning typeface and was characterized by the jury as an almost ‘invisible’ typeface with distinct personality. It has a range of weights that is ideal for a wide range of design works and fulfill its purpose while not attracting any unnecessary attention. Centro Pro includes 3 families. (Centro Serif, Centro Sans, Centro Slab)

For further information you can visit the Slanted website or blog.

Publications - Parachute® on Friday, June 24th, 2011

The new issue of Slanted magazine Grotesque 2 is dedicated to grotesque fonts which appeared mainly at the end of 19th century. In 1880 Ferdinand Theinhardt designed the Royal Grotesque with four weights for the Königlich-Preußische Akademie zu Berlin, based on which Akzidenz Grotesque was developed  in 1918. At the same time, from 1905 to 1930, Morris Fuller Benton created American Grotesque based on the older grotesques.

The magazine presents a large number of several related grotesque fonts, illustrations and projects from several designers. Type essays by Flo Gaertner (Karlsruhe), Robert Schumann (Berlin) and Anna Sinofzik (London). The new issue also includes interviews with Lizá Defossez Ramalho and Artur Rebelo (Porto), Edwin van Gelder (Amsterdam), Marta Podkowinska and Karol Gadzala (Krakow) and Hans Gremmen (Amsterdam) as well as a musical travelogue by Frank Wiedemann (Berlin).

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